Monthly Archives: March 2015

“Deacon Levski” Review / Дякон Левски ревю

Written by Lorenzo, and also published on Thanks Sabina!!

As someone who neither is Bulgarian nor speaks Bulgarian, I’m not Dqkon Levski‘s target audience. However, my wife and I attended the premiere at NDK on account of our friend Milena’s horse, a magnificent animal named Karina who was a credit to the film. With a beautiful, tawny coat and mighty, piston-like haunches, Karina brightened the film during the roughly 18 seconds she was onscreen, hurling the poor child-Levski into a pond. Unfortunately, having brought class to the proceedings, Karina promptly disappeared and the film took another 4 hours to reach its inevitable and merciful conclusion.

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Breakout star Karina, literally and figuratively saddled with the film’s dead weight.

As I said, I’m not the target audience for this film. When you’ve been studying Bulgarian for 7 months as I have, one of the most frustrating experiences you encounter is not understanding something. Not understanding nearly a word of a 4-hour-plus film is enough to make an exacting person like me nearly suicidal. At 2 hours, I was so thoroughly discouraged that I was planning to drop Bulgarian and just learn German instead. The, the intertitles announced PART 2, and I was debating which key to best cut my throat with. Seriously, I understood as much Turkish as I did Bulgarian. My wife tells me they were speaking an archaic-sounding version of Bulgarian, which may be true or may be something to protect my feelings. However, judging by Levski’s 4.7 rating on IMDb, I’m guessing a lot of Bulgarians didn’t get much of it, either.

The film begins inside a church. Ottoman soldiers and their mustaches have their swords drawn, menacing Bulgarkas with death and implied defilement. So far, so legible. The imagery of a leering Turk raping an innocent Bulgarian maiden in Christ’s house is imagery even I can understand. Hopefully that communicates what kind of register Levski is working in, and what level of grace, artfulness, and subtlety the audience can expect.

We’re introduced to a baby named Ali Aslan. A reader may ask: why is the audience being introduced to important babies? Especially fictional ones? It’s a great question! As a fan of film specifically and being entertained in general, I’ll say here what I tell every new parent I meet: children are boring. They don’t do interesting things or have valuable things to contribute. No one needs to get in front of a camera before they’re at least 25.

However, we meet Ali and li’l Vasil Levski. I’ll admit that I was a little harsh on the film for the first half hour, since I had no idea that the apple-cheeked little scamp we saw onscreen was the future Apostle of Freedom. Maybe that was my fault: it definitely seemed like he introduced himself as “Boyan,” and his father’s grave revealed his family name as Kunchev. I thought to myself, who the hell is this “Boyan Kunchev” kid, and why have we still not met Vasil Levski 30 minutes into the film? And WHERE IS MILENA’S AMAZING HORSE??

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